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Director:
Paul Haggis Rated: R Country: Germany, USA Language: English Runtime: 100 minutes Theatrical Release: 05/06/2005 US DVD Release: 09/06/2005 |
| Plot Summary |
| Several stories interweave during two days in Los Angeles involving a collection of inter-related characters, a police detective with a drugged out mother and a thieving younger brother, two car thieves who are constantly theorizing on society and race, the white district attorney and his irritated and pampered wife, a racist white veteran cop (caring for a sick father at home) who disgusts his more idealistic younger partner, a successful Hollywood director and his wife who must deal with the racist cop, a Persian-immigrant father who buys a gun to protect his shop, a Hispanic locksmith and his young daughter who is afraid of bullets, and more. |
| Starring |
| Karina
Arroyave Dato Bakhtadze Sandra Bullock Don Cheadle |
| Film Review |
| LA,
now: over 36 hours or so, a selection of typically (conveniently?)
diverse Angelenos try to cope with the complexity of living in a rough,
tough multi-racial society. Cops and law-enforcers of several ethical
and anatomical hues (Don Cheadle, Matt Dillon, Ryan Philippe, William
Fichtner, Brendan Fraser) feature prominently, along with others involved
in one kind of crime or another as culprits, victims or witnesses
(potential or actual): car-jackers, a Latino locksmith, an Iranian
storekeeper, a daytime-TV actor, a seemingly helpless ‘Chinaman’
and various partners professional or personal (Thandie Newton and
Sandra Bullock included). If that sounds an almost Altman-esque tall
order for an American movie, rest assured writer-director Haggis (who
wrote Eastwood's superb ‘Million Dollar Baby’) has won
some fulsome praise for this ensemble drama evoking the tensions in
post-9/11 LA. It’s certainly not an unambitious or unintelligent
film, outlining its slightly frayed thesis from the start with a terse
but resonant reflection on the paucity of contact between folk divided/protected
by metal and glass. Indeed, it starts promisingly with a series of
vivid vignettes (though these tend to slip too easily into verbal
insult and fiery volatility) and a clutch of more substantial scenes
that look set to lead to intriguing consequences: one pay-off with
Dillon and Newton generates cruel irony and suspense despite depending
on credibility-stretching coincidence, while a brief encounter between
Cheadle and Fichtner explores pleasingly murky waters... ~ Review by Time Out |
| Reviewed Clips (Click the "Clip" Link to view in Flash) | |
| Clip 1 | Bad Boy! Didn't anyone tell him that it's rude to answer the phone while making love, even if he IS a cop? Buff Rating: 2 |
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